New projects in the pipeline are a multimedia experience I am putting together in conjunction with my brother who is a music composer. A blend of video, audio, stills and written word…. Still in it’s infancy but I’m looking forward to sharing it’s progress with you all. If you get a chance go and add is facebook page [link] or take a look at his blog [link]
First images shot at the weekend in Islington, north London at The Hope and Anchor Pub with Tainted Lover.
Still looking for more people who want to take part — email me if interested.
I bought a new beauty dish and reflector at the weekend so it was great to try out this new technique with Violet Raven when she came to visit yesterday.
I fixed the dish to my Gemini 500 head and raised it to about 8ft above the ground almost directly above the model. I then got her to position herself so the light just caught her facial feature, but left her eyes in the shadows.
Many will know that I have felt a little uninspired lately, so it was great when Leila asked if she could come and shoot again today.
She’s 7 months pregnant and wanted to do something so that she could remember this great time in her life — but NOT do the cliché Demi Moore shot!
Armed with just my bathroom, kitchen and a smoke machine I managed to produce 3 or 4 different styles for her today.
I take my hat off to her for being such a great and willing model — She was feeling very unsure of herself as her figure had changed so dramatically over the last few months — I hope you like them and give her the support she deserves for her courageousness
Did a shoot at the weekend with Holly D for her own website = http://www.Iloveholly.com . Whilst there I saw this Gothic Throne in one of the rooms .. Just had to shoot her against it.
There are a few more pics from this set on my sister website Sex-In-Suburbia however, you will have to register to see them. Registration cost just £1 and is payable by Paypal.
Technical Spec:
Canon EOS 5D Mark II
1/64 second
F/4.0
40 mm
400
Canon Speedlight 580EX MkII
“for my part, whether I am viewing an idyllic landscape or a motorway collision, I tend to overlook the actual charcteristics of the scene and look instead for form and texture which are the essence of a dramatic new image. The camera may thus become a filter between it’s operator and reality.“